3 Albuca setosa
Number: 63353.13
Series: Silicon series of Silicon series.
Series: Hydrogen, Carbon and Silicon series, emphasis Silicon series.
Clades: Hyacinthaceae; Asparagales; Liliidae; Lilianae; Angiospermae.
Phase: 5; Subphase: 3.
Stage: 13.
Culture: Cassandra, given clairvoyance by the Gods but also that no-one will believe her.
Introduction
Child, 8 years, disappointed by lies and cheating of others, lost paradise, loss of purity, magical world, fairy tales. In order to preserve your pureness you have to withdraw, and in the withdrawal you lose your pureness. You don’t trust yourself anymore, you try to adapt and then people don’t trust you anymore. Not feeling understood. It is important to be recognised in your sensitivity as a child, in your unique pureness, especially how you are as a child of 8, 10.
Sensitive, oversensitive, not seen, not recognized.
Loss of purity, innocence, trust from being traumatised.
Retiring in oneself in order not to lose purity, oneself, but in retiring losing the purity.
Homeopath that is sensitive, knows a lot, but is overlooked and walked over by society.
Mind
Damaged.
Duality.
But we ourselves are also the ones who don’t recognise.
Colour white and green, spring green.
Body
Female: uterus problems.
Discussion
Looks a bit like Star of Bethlehem, green and white striped
Trituration nice colour grass green, staying for quite a while.
Wound of bulb playing a role.
Child, age 10, girl or boy; in their feelings, crucial age what you are gifted with.
Prover 7: if old people are childish, what happened in their childhood?
Cassandra.
Prover 8: Christmas story vanishes with getting older; you notice people are lying, you get out of your magic world of childhood.
Prover 3: Left in kind of purity, felt good; easy to lose
Prover 7: if old people are childish, what happened in their childhood?
Duality: retire in purity, you lose it; it is a double bind!
Analysis
Asparagales: contamination, purity!
Subphase 3: adaptation; not showing others how you feel; not knowing ow you feel.
Stage 13: retirement, indignation.
DD Boraginaceae: not seen, not heard.
DD: Star of Bethlehem: purity also big theme.
Proving
Albuca setosa, proving
Trituration proving, 3-10-2012, Kenton on sea.
Prover 7 has the inclination to cover the wound of the bulb which was cut for the trituration by the pharmacist from Remedia.
Albuca setosa is green and white striped.
Prover 7 starts with the trituration.
The paste of the sugar is so nice a colour. We are liking it, it is like spring green, like pistache.
We wonder whether we have to work with the trituration clockwise or anti-clockwise. We heard different views. We decide for no rules.
Prover 8 continues. We are worrying about the exact times and are caring whether everything is all right. Prover 7 tells about the feeling of being very young, even at old age, staying childish. Prover 8: the plant has no special form and colour, both white and green. Not only this or that, it is both, light and shadow.
Prover 3: Maybe the green is a very normal colour. The white is a very normal colour, but together they are special. The green is the young one and the white the old one.
Prover 3 feels insecure with a task to care for Prover 8 and 2, maybe it is wrong. Almost frightful. The trituration is a light feeling, not comfortable, very sensitive, a nervous kind of feeling until tears can come. Maybe things can go wrong… a childish worry as if a boat is going to sink, like panic, but also light.
Trembling from anxiety, insecure, and nervous laughing. No grounding. Young.
Prover 7 feels stubborn.
Prover 8 feels like she’s in school. Not a free feeling, not that old. You are not allowed to do everything, not what you would like to do. She feels limited or restricted even, in a kind of waiting position. She feels no perspective, there is no consciousness of time yet.
Prover 3 has a kind of nervous pain in hypogastrium.
Prover 7 is so surprised that the colour stays so nicely greenish! She gets a picture in her mind of her mother who was such an injured child, an unhappy and angry child. She was so hurt.
It’s a wound deep inside, like it was done to the bulb, with a knife. An old wound, deep.
You can see it in many old people.
Prover 3 associates it with a long familiar friend, a woman of a couple. She’s exactly like this description. She had a trauma when she was about 10. She had to cope with too many difficult situations and was very anxious. The mother of Prover 7 talked about gnomes. She went into fantasies or a fairy-tale-world.
Prover 3 also goes in his childish state: when you have to cry, then, after crying, you have this sobbing breath. It is a relief after the crying -> you feel with two feet on the ground.
The cry should be a kind of ‘primal scream’, but it stays superficial. The real crying is not or even never coming out.
The powder still stays green!
The provers go on: It is a deep suppression of something subtle, a childlike energy of restriction, limitation, of being wounded.
One feels it on the breast or inside. It is not heavy, it’s almost a light form of a rest of a trauma in or on the chest.
It is the first realisation of a child that the world is not nice, not a paradise. One wants to keep the fairy-tale-world intact, the magic world, but one has to leave it. We see it in the age or period in childhood with Santa Claus, on the verge of not believing it anymore. It’s the loss of innocence; terrible to enter the world of good and evil.
Prover 8 tells about her experience at the end of her Primary School. She did not obey for the first time, it was gone, the magic thing. She read a lot of fairy tales when she was young.
Prover 3, taking up the trituration again feels as if he would cry.
It’s a kind of fluttering –nervousness.
The idea of crying in bed as a child, realising that you’re not as other children, feeling so small, others are so strong, and in crying could become closer to the hero’s.
Thin and pale girl, sensitive and refined.
Feeling to keep everything like it has been, it’s a pity to leave that.
Prover 8: Very lonely, doesn’t trust people anymore, not even her own family. Didn’t say anything anymore to the people, has to do everything alone in her life. How could they do it?!
State of balance which is very tangible, wants to hold it, but it’s so sensitive that it is disturbed or destroyed by the slightest impression.
Was disappointed and did not trust the world anymore.
Prover 3 likes the refinement in feeling the part that is hurt.
Prover 8 and Prover 7: It is a state of sadness, that others are not like you and that you have to do it alone. Can also be an insecurity, but both Prover 8 and Prover 7 say it’s sadness for them and you never go back to it.
Mother of Prover 8 was telling lies to her and it was a damage to the ‘Heilewelt’, the wholeness of your world.
Often this remedy has to do with trust and the disappointment of trust. That is the kind of trauma or damage. The origin is about the age of 8, 10 years. It is a state of being super sensitive and insecurity.
“How can it be that other people cannot feel how I feel!? I cut off my inner world. Then it’s not as it should be. They don’t know that I cut off my inner world!”
Prover 7: It’s the story of Cassandra, who has the quality of predicting and at the same time the Gods wanted to punish her that people would not believe her. That’s an analogue to being a homeopath for example, being isolated and sad.